12. 26

JUDITH DEAN + GEORGIA MCGOVERN + KATAYOUN HOSSEINRAD | THRU NOV30

About 12. 26

georgia mcgovern, a bird in the hand, 2024, oil and graphite on linen, 42 (H) x 32 (W) in.

Stolen Hours
Judith Dean & Georgia McGovern

10.26.24 – 11.30.24

12.26 is pleased to present Stolen Hours, a two-person exhibition of works by New York-based artist Georgia McGovern and London-based artist Judith Dean, on view at the gallery’s Dallas location. This exhibition, which features an array of paintings that glint at interior and exterior architecture, marks the artists’ first duo presentation with the gallery.

Absent of figures, aside from a couple of avian fellows, McGovern’s paintings feature the architecture of Manhattan seen through exterior facing windows. As a Lower East Side native, McGovern’s work is informed by the familiar surroundings of tenement-style buildings and chic new developments reflecting the paradoxical nature of old and new life through architectural perspectives. Several of these paintings were created while McGovern worked in the late Rosemarie Beck’s studio, where, from the top floor of Kenkeleba House, McGovern had a uniquely vast vantage point overlooking the East River, Brooklyn, and parts of the East Village.

In contrast to McGovern’s realistic depictions, Dean reveals the contorted innards of nonexistent chambers, bending the laws of traditional structure and flexing the eyes of her audience. Like a camera obscura, Dean’s paintings expose fan- tastical reimaginations of interior spaces with their contents inverted and subjected to the artist’s distortions. Dean’s op- tical illusions defy logic yet entice viewers with the familiar imagery of flowers, butterflies, and an anatomical heart along- side uncanny portrayals of loosely rendered figures meandering within illusive landscapes. Dean sources her imagery from the internet, the vast and endless digital realm ripe for visual harvest.

Together, McGovern and Dean exhibit a harmonious body of work. Stolen Hours brings the two artists together for a visu- al exchange, assuring the viewer of their reality while turning the dial on perspective ever so slightly.

Georgia McGovern (b.1988 New York, NY, USA) lives and works in Ithaca, New York. She received her MFA from the New York Studio School (2019); before that, she obtained her BFA from the School of the Art Institute of Chicago (2010). Georgia’s artwork has been featured in solo and group exhibitions at Dunes in Portland, Maine, Marinaro Gallery in New York, The Valley in New Mexico, Olympia Gallery in New York, and Brackett Creek Exhibitions in Montana.

Judith Dean (b. 1965 Billericay, U.K.) lives and works in London. She received her BFA from the Wimbledon School of Art in London (1988) with honors. She was also an artist in residence at the Rijksakademie van Beeldende Kunsten in Am- sterdam (1991-93). Judith’s artwork has been featured internationally in solo and group exhibitions at Bodenrader, Chica- go, South Parade, London, and White Columns, New York.

katayoun hosseinrad, untitled, 2024, oil on canvas, 9 (H) x 12 (W) in.

12.26 is pleased to present Realm of Absence the first solo exhibition of Katayoun Hosseinrad at the gallery’s Dallas location. Hosseinrad’s body of work ruminates on the existential qualities of interior and exterior spaces, delving into the concepts of solitude, introspection, and the duality of presence and absence. The quiet paintings construe images of stillness, tranquility, and seclusion, all while contemplating memories of the past and dreams of the present.

Inspired by Iranian painting, Hosseinrad’s attention to detail and composition is ever-present. Delicate and eerily translucent curtains with decorative woven edges frame the tenebrous settings. A lonely party streamer floats above a still, vast body of water, illuminated at dusk. A pair of fruit bowls keep each other company on a cold winter’s night. Even the splintering wood flooring and glossy tile of the interiors are diligently detailed.

The sparse interiors are not lacking, as the amplified presence of negative space fills the room. It feels almost as if someone just left the room, leaving behind a hollow impression of loss in their absence. Hosseinrad notes that her work meditates on human connection, or a lack thereof, in a society increasingly plagued by distance and disconnection.

Important to Hosseinrad is an intentional focus on a consistent color palette, suitable for relaying a cohesive mood. While the tone of the paintings is fluid with hazy hues of blue, green, and grey, small, serendipitous moments of red, orange, pink, and yellow grace several canvases.

Hosseinrad’s work points to an inescapably profound loneliness as she navigates the ambiguity of vacancy in isolated atmospheres. Those who gaze upon the levitated somber scenes may confront their own emotions of yearning for meaning and memory.

Katayoun Hosseinrad (b.1996, Tabriz, Iran) lives and works in Fort Worth, TX. Originally from Iran, Katayoun completed her BFA at Tabriz Islamic Art University in 2021. She is currently an MFA candidate at Texas Christian University in Fort Worth, Texas.

12.26

150 Manufacturing Street, #205
Dallas, Texas 75207

214-533-8263

Hours:
Tuesday – Friday: by appointment only.
Saturday: 1pm – 5pm

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